photo credit: newscred
At some point we’re all caught doing it: scouring through piles of music looking for a song.
But not just any song — the song. The perfect song.
The piece of music that will bring the audience to tears, or make them fall out of their seats laughing, or simply twinge their heart strings in just the right way.
Music has such a profound effect on videos that finding the right song — even for a simple sequence — is a crucial task. Chosen poorly and a scene will fall flat. Chosen correctly and the scene will retain an emotional resonance that’s unforgettable to an audience.
Case Study: The Social Network Soundtrack Music
Today we’ll look at the music from the film The Social Network, a movie nominated for five Academy Awards in 2011 and awarded the Oscar for Best Original Score.
While composing your own score akin to the haunting music Trent Reznor and Atticus Ross achieved is a hurdle (that’s why we give you music for free!), we can at least get an idea of the ability of music to change the mood, tone, and pace of a video, movie, film or media project.
An Important Change for the Soundtrack
In the original script for the movie, screenwriter Aaron Sorkin placed a note for music to play in the opening sequence. This is significant only because screenwriters rarely decide what music, if any, plays in a finished film unless it is closely tied to the subject matter.
Later, when asked about the simple line, Sorkin replied the song he had in mind was Paul Young’s cover of “Love For The Common People.”
His theory behind this choice was to channel the old John Hughes movies of the 1980s — movies like Sixteen Candles, Ferris Bueller’s Day Off and Uncle Buck — all films that treat teenagers and their problems with the utmost seriousness.
By recalling the themes of Hughes’ films with musical recognition, Sorkin was prepping the audience to expect a certain type of movie. A movie that had tones of adolescene, big-world problems, and, in a way, Sorkin set out to subvert the cheesy ho-hum expectations the John Hughes movies suffer from.
But like any Hollywood movie, when the director becomes attached, a lot can change. When David Fincher was named to the project he immediately began to impose a style of his own onto the film.
One of the major decisions Fincher made was to hire Trent Reznor and Atticus Ross of Nine Inch Nails to compose the score. It was a bold move and, honestly, not many were sure how it would turn out.
Fans of the movie will agree that as soon as the haunting opening theme “Hand Covers Bruise” starts playing, it was a smart choice by Fincher. The dark, brooding hum covered by a sad, yet whimsical piano, perfectly suited the movie. It was complex, it was deep, it was emotional.
Changing the Music and Changing the Tone
So, were the two pieces of music that different?
You can decide for yourself by watching the opening sequence of the film scored with both pieces of music. First up is the sequence with Aaron Sorkin’s original choice of song:[youtube video=”-ZUcDCjLA-8″]
For comparison, here is the song “Hand Covers Bruise” from the finished film:[youtube video=”P9cgYvkaSU8″]
The change between the two pieces of music is quite drastic.
On one hand, in Sorkin’s version, you have a light-hearted pop song full of vocals, synthesized drums, and layers of instruments. There is even an entire bridge section with brass instruments.
On the other hand, in Trent Reznor’s version, you have a piano instrumentation that lacks any kind of musical structure save for a simple melody. It builds with anger but soothes with simplicity.
It’s important to note that had Sorkin’s version been used, the introduction would most likely have been edited different. But still — the effect of changing the soundtrack is profound!
Even Reznor was surprised by it’s effect saying, “The lights go down, the movie comes on. And I got goosebumps and I was like, ‘[explicative], we did that?’”
Why the Right Song Matters
It’s rare to find instances of tone changing so drastically in Hollywood motion pictures. Normally, to get a comparison like this, you have to perform it on your own while pain-stakingly looking for the right song.
But despite how difficult that search is, this case study proves that finding the right song is a fight worth fighting.
With Sorkin’s song, the movie would have been taken in a completely different direction and taken on a different persona. Whether that would have been good or bad, it’s hard to say.
With the composed piece of music, the movie became something else entirely. It adopted a tone of darkness, of complexity, of betrayal. Without changing any images, modifying any cuts in the edit, the entire emotional impact of the scene was shifted.
And that’s the power of choosing the right song — that’s why it matters so much.
How do you think Sorkin’s soundtrack compares to the completed soundtrack in the film?